Switch: on a submissive mood

I often get asked whether I prefer to play dominant or a sub at a BDSM session. My response is always the same: it depends.

Here comes my penchant for the chiaroscuro; the interplay between light and darkness, produced in sharp contrasts. Chiaroscuro, for me, translates into a versatile approach to kink. Whether I feel like a top or a bottom comes in undulating waves.

What I can say with certainty is that for me to be in a submissive state of mind, I need my play partner to be a thoughtful and deliberate person. This starts with the deep understanding of the holy trinity of BDSM practises: SSC (Safe, Sane Consensual).

Safe: Both physically and emotionally. It is important for me that my domme is cognisant about the fact that when I reach my subspace, I might become less verbal. Lack of verbal communication on my part doesn’t mean that I don’t still need to feel that my wellbeing is being monitored. Part of this process is that the pre-agreed boundaries are being respected.

Sane: This aspect of SSC concerns fantasy versus reality. For example one of the common mistakes I have encountered is the belief that because I’m a sub during particular play scenes, I might also be so in real life. This is not the case - both parties must be clear about when the play scene starts and when it ends.

Consent: no means no. Full stop.

A domme’s ability for emotional work during (and after) scenes is key for me to reach my subspace. Sadly, with the mainstream-isation of BDSM, many people think they can domme someone without the need for emotional work. You need look no further than domme profiles on Fetlife – considered the “Facebook” of the kink community – to have an idea of how many self-proclaimed ‘dommes’ conflate BDSM practises with abuse. I’m unashamedly politicised when it comes to sex – my sexuality has been shaped by long conversations over taboos and status quo related issues. If I feel that a domme’s behaviour raises red flags, my political life invades (and protects) myself during our time alone, which more than anything else is simply a mood killer.

Becoming a good domme requires a slow, intentional process of looking inwards, of challenging yourself, of finding new languages to express your desires. Self-learning like this is such a subversive exercise – coupled, of course, with a filthy wink. Communication – I know, such a cliché - is key. But it’s a cliché for a reason. Becoming a domme involves demolishing your ego, making yourself feel vulnerable… As a sub, I love the feeling of pushing my domme’s boundaries, my bratty behaviour guiding my body, making me reach that edge. It’s such a turn on when a domme asks, listens, explores, instead of getting ahead without trying to understand the sub’s desires. Imagine instead of blind unconsidered behaviour, the right chemistry (and perhaps the right blindfold). Imagine instead of the usual, Friday, red wine in hand, a crime scene:

 Floggers, blindfolds, rope.

A kiss, a spank, a bite on my neck…

Until, suddenly, you can feel that the world outside disappears:

 

**MY SUBSPACE **

 

Meaning: the only thing that exists for now is the heavy weight of your eyes on me.

 

I feel like floating. Spanking feels painless.

 

You know? Euphoria. In an enigmatic way.

 

Adrenaline, endorphins. The “I” – is no longer.

 

            Now: only trance.

            Natural highs.

 

Incoherence: my raw humanity with your raw humanity.

 

Suddenly, my knees kiss the floor.

 

My hands rest ahead. The only certainty: I know how I want to be flogged. On the low part of my butt cheeks. Repetition. Pain – pleasure – pain as pleasure.

 

You read my body:

 

Visual sweat,

Blood full.

 

Fill a flute with champagne.

Bring it to my lips:

            Open, you say.

            I open.

 

A close up: my reddish bum gets wet by your kiss.

 

This is how I feel the weight of your pupils penetrating me.

 

Inside a room that is so warm that I can close my eyes and confound its walls with my skin.

 

** MY SUBSPACE CONTINUES **

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Sensual Domination

[Time of reading: 4 minutes].

BDSM (bondage, domination, sadomasochism) has gone mainstream. What used to be the decadent fantasy of a few pervs who experimented with alternative ways of living their sexuality, has now landed into the imaginary of a rather varied audience. At least, as a gatekeeper of filth and well-curated fantasies that’s how I see it.

What does BDSM mean to you? Have you found a way of expressing your fantasies? Have you assessed your level of comfort in relation to giving or to receiving pain? How comfortable are you being in control? Can you surrender to someone who can be in charge of your ecstasy for a few minutes or a few hours? Have you been honest with yourself about the role play scenarios that could melt you down? Honesty and desire are an uncomfortable combination. Aren’t they?

These are questions that have been rattling around my mind since well before I even knew the demimonde existed. Some of these have caused me some inner conflict. You know? These were the kind of thoughts I’d rather deny, afraid of entering into a head space that might disrupt a little what I thought I knew about myself. But in reality, by facing them I’ve allowed myself to experience moments of pure transcendence. By confronting these questions head on, I now have material that sheds new light on the most mundane situations. In the queue to pay at the supermarket? How elegant, five minutes to think about how could I use my new pinwheel, eyes blindfolded. Tedious commute on a rainy evening? Chic, forty minutes to daydream about the best combinations of rope and upmarket dirty talk.

The answers to my questions concerning all things desire come back to one idea: sensual domination. To me, sexual domination means subtly using power dynamics to play with the senses rather than using aggression or intense pain. Finding out about those triggers that might bring someone to surrender, by a slow burn of sensual submission.

Think of me. Lingerie and stilettos. Slightly feline movements. Moving around the crime scene, displaying my toys on the bed. Trying to gauge what might be the psychological triggers that will precede the physical gesture that will bring you into submissive mood – eye contact, a naughty smile. Creating a minute in which the time passes as if belonged to another dimension. Giving myself space to assess the right time for the physical gesture to arrive. The moment comes: my hand gently grabbing your throat. Suddenly, silence.

I gently demand you to worship my ass, by spanking it with my pink paddle. Then a moment of softness – a kiss? I demand more pain, now with your hand. I release endorphins to loose my mind.

Surprise. My fingers squeeze your nipples. Gently letting the pressure increase.

Contrasts: sharpness /softness.

Light sensual deprivation. Slow burn.

Surprise […]: it binds us to the unusual, to the necessity to transcend, to completely disentangle ourselves from the rest of the world.

After such voyages, a moment of calm brings us back to the material realm. I then focus on a demonstration of gratitude for the gift of submission: gentleness, caresses, tenderness.

We are made of red velvet inside – maybe it is the only way? Private perversion snaps us out of the material realm. With no consequences other than slightly uncomfortable questions to the self, and cognitive material to daydream on through moments of mundanity. At least now the word desire can finally benefit from its original meaning.

 

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Art and Prostitution by Marlene Dumas

If a Prostitute is a person
who makes it a profession
to gratify the lust of various persons
for economical reasons of gain,
where emotional involvement may
or may not be present —

Then it seems not so far removed
from my definition of an artist.
Artists usually love to pretend.
Artists usually pretend to love
much more than they can handle.
They want everyone to want them
while they don’t want anybody.

   Marlene Dumas  B. 1953  THE VISITOR  signed and dated  1995  on the overlap; signed on a label affixed to the reverse  oil on canvas 180 by 300cm. 71 by 118in.

 

Marlene Dumas

B. 1953

THE VISITOR

signed and dated 1995 on the overlap; signed on a label affixed to the reverse

oil on canvas
180 by 300cm.
71 by 118in.

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